It took weeks of experimentation for Illuminate’s colorist Andrew Drapkin to come up with a formula which he and image supervisor Ross Lipman could use to attempt to re-balance the color in each film – The Burning Hell, in particular – and tease some detail and proper contrast out of severely faded areas.
Reading time 6 Minutes
PLEASE LOG IN OR SIGN UP TO SEE THE FULL ARTICLE
Please use the beta access code provided. Then add your email address and choose a password, you will then receive an account activation email in your inbox (please also check your junk mail if it doesn’t arrive).
Please login below using your email address and password.